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THE CITY OF LOST FORTUNES

One hopes for more of Camp’s dangerous visions to spring from a city that, as he writes, “is a great place to find yourself,...

A phantasmagoric murder mystery that wails, chants, laments, and changes shape as audaciously as the mythical beings populating its narrative.

It's six years after Hurricane Katrina, and, though floodwaters have receded, New Orleans, as depicted in this boisterously ingenious debut novel, is neck-deep in malaise, its surviving citizens struggling to recover their collective mojo. Among these is a Creole busker named Jude Dubuisson, who, as the book begins, is glumly content to collect spare change from credulous tourists through his supernatural gifts for locating missing objects. The hurricane and its aftermath compelled Jude to hide his true powers under the proverbial bushel until he’s beckoned to take part in a secret card game featuring some of the city’s most powerful and dangerous demigods, including the treacherous vampire Scarpelli, a fallen angel known as “Wings,” and the voodoo high priest Papa Legba. The game takes a turn when Jude goes unconscious after being dealt a hand of five blank cards. When he awakens, Jude finds that one of the game’s participants has been murdered. Soon, everybody else taking part in the game is either murdered or about to be; other potential victims include a beguiling young hoodoo apprentice, a zombie jazz trumpeter—and Jude himself. For a first-time novelist, Camp shows adroitness in weaving the real-life exoticism of present-day New Orleans with his macabre alternate universe that’s almost—what's the word—supernatural. (Among the unique characters attending a burial service for one of the murder victims: a centaur, a hairy giant, and “a fat, brown-skinned man with the head of an elephant.”) Things only get weirder and more intense from there, but the engaging style, facility with folklore, and, above all, impassioned love for the city its characters call home keeps you enraptured by the book’s most chilling and outrageous plot twists.

One hopes for more of Camp’s dangerous visions to spring from a city that, as he writes, “is a great place to find yourself, and a terrible place to get lost."

Pub Date: April 17, 2018

ISBN: 978-1-328-81079-3

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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