High marks for this one. Let’s hope it’s the beginning of a long series.
Elephants and humans alike face mortal danger in this tense, complex thriller set in Africa.
Tom Klay is an American journalist in Kenya who writes about crimes against endangered species for the National Geographic–like magazine The Sovereign. Because of an earlier article he’d written, a ranger friend tells Klay, “everyone wants to see our famous elephant,” Kenya’s largest. That’s good for tourism, but now criminals want to kill the heavily protected animal and “smuggle his tusks to China whole.” Notorious poacher Ras Botha runs Africa’s ivory trade and considers elephants mere “property” to be hunted at will. “An elephant is carrying two gravestones,” Klay is told: “One for himself. One for his species.” Gravestones are needed for people as well, as Botha takes violent exception to human interference. Klay is a multilayered character who grew up in a funeral home and is well enough acquainted with death to muse that life is an unwinnable case and that “hope was certainty’s flirtatious cousin.” He tells his lover, the wonderfully named career South African prosecutor Hungry Khoza, that he’s not a good person because he’d caused a child’s death in Indonesia. His magazine’s editor-in-chief ropes Klay into moonlighting for the CIA. Then Perseus Group Media, a subsidiary of the “world’s biggest private military company” and China’s overseas security firm, buys out Klay’s financially struggling employer. By the way, China’s “Ultimate Silk Road Project” includes a planned highway through the heart of Kenya. There’s also a treasonous U.S. Navy admiral caught in a “little sex ring” and a pedophile ivory trafficker who is also a peace negotiator. The child sex trafficking theme might have been developed further or omitted altogether, but readers will sense its pervasiveness. The author’s experience as a special investigator for National Geographic informs this fast-moving debut novel.
High marks for this one. Let’s hope it’s the beginning of a long series.Pub Date: April 13, 2021
ISBN: 978-0-593-18792-0
Page Count: 368
Publisher: Putnam
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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