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A LIFE IN PARTS

The highs here—and there are many—are meth-less but addictive.

The star of Breaking Bad debuts with a collection of memories and ruminations.

Cranston (b. 1956), borrowing his title and organization (sort of) from Jacques’ famous “All the world’s a stage” speech in As You Like It, offers a series of mostly short chapters that focus on the roles he’s played—in life, in film and TV, and on the stage. For a celebrity memoir, it’s unusually humble; the author makes no real mention of Golden Globe and Emmy wins, and he shows a determined effort throughout to credit and praise his co-workers. He mentions, for example, an effective gag on one of his Seinfeld appearances that came via an electrician. His narrative flows forward chronologically, broken only by abrupt shifts of focus to his various roles. His tells us about his parents—neither, especially the father, would ever qualify for a parenthood prize—and his siblings, who have been successful in their various enterprises despite, like the author, enduring a difficult childhood. (Near the end, he enters group therapy with them.) Occasionally, Cranston pauses to talk about the craft of acting, and a few of his observations sound like “takeaways” from a performance class (“Building a character is like building a house”). For the most part, the author stresses how skill and talent are fairly pointless without a lot of hard work and thought about the character and the words. He does not downplay his failures (a first marriage did not last); nor does he deny us details about his unmoored years, which included a Kerouac-ian cross-country journey with his brother. We learn as well about the perils and inconveniences of celebrity, his deep affection for his wife and daughter, and losses (parents, others). He ends with an account of his recent stage performance as Lyndon Johnson.

The highs here—and there are many—are meth-less but addictive.

Pub Date: Oct. 11, 2016

ISBN: 978-1-4767-9385-6

Page Count: 368

Publisher: Scribner

Review Posted Online: Aug. 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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