Distrust and deceit throw soldiers and civilians into a tailspin in this gripping tale.
Chaos reigns when the Army seizes a rustic little town to stop a virus from spreading in this debut thriller.
Martin Fallon has eluded the Army soldiers hounding him for an entire month. He’d been part of a top-secret project, and now he’s infected with a virus. At least, that’s what Col. Preston Aldridge tells townsfolk in Harper’s Glen, close to where a blizzard spins Fallon’s car off the road. The desperate Fallon, after recovering at the local hospital, seeks refuge at nurse Shelly Christianson’s home. Though he initially takes Shelly hostage, Fallon may not be as crazy as he seems. He claims the Army is after him because he knows about the biological agent it’s been inhumanely testing—and all he wants to do is flee. Meanwhile, Aldridge sets up his command post at the hospital as he attempts to quarantine Harper’s Glen’s citizens. Soldiers also scour the area for Fallon, but residents object to their presence, convinced the Army has “kidnapped” the medical staff of the entire town. When the townsfolk’s resistance turns aggressive, the armed soldiers use deadly force. This only further enrages the civilians, who retaliate with guns and much worse. McBee’s novel generates intensity through a bevy of dubious characters. For example, readers don’t know who’s lying—Aldridge or Fallon—and each convincingly explains how the other is more dangerous. The cast comprises numerous players often reacting to someone’s hostility, including in action-laden scenes of the Army versus the residents. As such, the characters are generally underdeveloped, though Shelly is unquestionably sympathetic. She escaped from an abusive husband, and she won’t let Fallon make her a victim again. Despite several explosively violent turns in the story, the author’s grandest descriptions portray the cold, snowy surroundings: “Away from the plowed roads, the top-heavy military trucks slipped and fishtailed, fighting for traction on the slick muddy surface. Slowly, they plodded along.”
Distrust and deceit throw soldiers and civilians into a tailspin in this gripping tale.Pub Date: May 25, 2021
ISBN: 978-1-63-752882-2
Page Count: 304
Publisher: Atmosphere Press
Review Posted Online: July 12, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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