A light, fun, and atavistic Western novel.
Ney’s debut historical novel depicts the adventures of a teenage Calamity Jane.
The famous, titular scout, born Martha Jane Canary, was an iconic figure of the Wild West who spent much of her adult life adventuring across the frontier, dressed in men’s clothing, alongside acquaintances such as “Wild Bill” Hickok. Later, she published a self-aggrandizing memoir and appeared in Buffalo Bill’s Wild West show, thus cementing her reputation for the ages. Jane is often portrayed in film and literature in her later, weathered years, but Ney has chosen to focus instead on Jane’s adolescence. After migrating west from Missouri to the Montana Territory during the Civil War, the Canary family has fallen on hard times; Jane’s father has become an alcoholic gambler, and her mother has turned to prostitution to help support the family. Jane—at 15, the family’s eldest child—is determined to do what she can to help her family and new community. Although she’s a crack shot, hunting rabbits isn’t enough to feed the family, so she dips her toes in endeavors as diverse as faro dealing and nursing. This coming-of-age tale wouldn’t be enough to support an entire novel, so Ney also introduces a crime plot inspired by the real-life case of Henry Plummer, who was said to have led of a gang of outlaws. Historical purists may be put off by Ney’s choice to centrally insert Jane into a situation in which she didn’t actually participate. However, fans of Western novels will enjoy the resultant narrative of road agents and justice. Ney’s frontier can occasionally feel a bit sanitized, and many secondary characters’ experiences—such as those of Lo, a Chinese merchant—would benefit from more nuanced depiction. Generally, though, Ney does a fine job of bringing the time and place alive. The details of life in the 1860s Montana mining town are rich, and the quick-moving tale is well-situated in the tradition of 20th-century frontier town novels, such as Jack Schaefer’s Shane. In one clever scene, Jane responds to her mother’s discussion of early 19th-century living with sarcasm, saying, “Musta been something, livin’ back then.” The irony, of course, is that Ney clearly believes it must have indeed been something living in Jane’s time; his enthusiasm for the old West and its literature comes through on every page.
A light, fun, and atavistic Western novel.Pub Date: Aug. 8, 2016
ISBN: N/A
Page Count: 164
Publisher: Dragon Tree Books
Review Posted Online: June 24, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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