LET HER LIE

How many mysteries remain once a notorious serial killer has confessed?

Still reeling from the scandal that sent his second documentary feature into limbo and prevented him from capitalizing on the ego-swelling success of his first, Theo Snyder is desperate for a subject for his third when he suddenly gets a brain wave: He'll tell the story of dermatologist Jasper Ross-Johnson, the Halo Killer sitting in a Delaware prison after dispatching 16 women. Bringing back his winning team, cinematographer Jessica Ransom and investigator Zora Monroe, Theo is excited when Jasper agrees to be interviewed on camera and repeats the confession he already made in court. The deeper Theo gets into the case, though, the more the hook he’d originally planned for his movie—why did Jasper allow his final victim, Barbara Yost, to survive the ritual that had left all the others dead?—gets lost in a tangle of other questions that loom with growing urgency. What’s the connection between Jasper’s methodical campaign of murder and the case of Miracle Jones, the Miracle Baby abandoned shortly before by her mother at what would become his first crime scene? What unidentified parties were present at his very last crime scene? Have the authorities succeeded in identifying all the Halo Killer’s victims? And—a question that becomes agonizingly important after Jasper’s escape from prison—exactly who’s scripting each of the possible endings to the work in progress Theo is counting on to resurrect his moribund career? Reardon keeps the complications coming so thick and fast you’ll be deeply relieved that you’re not making this movie yourself.

A virtuoso exercise for serious players determined to keep playing each other to the bitter end.