An intriguing, if somewhat uneven, poetry collection with much verbal cleverness.
This debut volume of poetry explores the fraught experiences of today’s millennial generation.
Wright signals his overall stance on what it is to be a millennial by the titles given to his collection’s four sections: “niHilism,” “lOnging,” “desPair,” and finally “promisE.” The irregular capitalization subtly evokes the stumbling topography of a sidewalk buckled by tree roots—yet the capitals also spell out HOPE, nicely summing up the millennial experience. (This hidden-word trick is used throughout the book.) The sections are introduced by timelines noting thematic dates between 1990 and 2020; “promisE,” for example, begins with the launch of the World Wide Web and continues through events such as the Seattle World Trade Organization protests, the Affordable Care Act, and Donald Trump’s first impeachment. Many of the poems have a notable musical quality, as in “rEGRESSion,” where “socially intertwined / dreams” represent “the medicine of the masses / fallen through the / cracks between classes / cautiously aware / of nothing but / disasters.” These lines employ spoken-word techniques like rhyme, off-rhyme, alliteration, assonance, and a chanting rhythm while addressing social issues, in this case the mass media. The final lines tie the images together as “regression / to the mean,” a bit of wordplay nicely encompassing unkindness and the statistical phenomenon where natural variations in data (like disasters?) appear to constitute real change. The title, too, suggests hope despite appearances by capitalizing EGRESS. Still, not all of the poems have such facility. Many descend into the dramatically maudlin, as in “fAuX prISon”: “The flies find me an enticing scent. Unbathed and reeking of foul food and drink as they dine upon my wretched visage.” Other verses use stilted or faux archaic language, mixed metaphors, or offer unsurprising observations: “We find ourselves today lost in world consumption.”
An intriguing, if somewhat uneven, poetry collection with much verbal cleverness.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Historical Research Press
Review Posted Online: Aug. 22, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A superior entry in the night-on-the-nightmare-ward genre.
A medical student is assigned an overnight shift to observe a Long Island hospital’s psychiatric ward and help with emergencies. You’d never guess what happens next.
Amy Brenner isn’t even interested in psychiatry, the one medical specialty she’s never considered for her own career. Nor is she interested any more in Cameron Berger, the classmate who ended their relationship so that he could spend more time studying, and she’s not pleased to learn that he’s switched his rotation with another student so he can spend some of the next 13 hours persuading Amy to rekindle their romance. Predictably, Cam will be the least of Amy’s troubles. Apart from Dr. Richard Beck and nurse Ramona Dutton, everyone else on Ward D is much more dangerous, from elderly Mary Cummings, whose knitting needles aren’t plastic but sharpened steel, to William Schoenfeld, who’s stopped taking the medications that were supposed to silence the voices telling him to kill people, to Damon Sawyer, who’s confined in Seclusion One and can’t possibly escape, unless a power outage neutralizes the locks. Most threatening of all is Jade Carpenter, whose close friendship with Amy ended eight years ago when Amy turned her in for what ended up being only one of a whole series of thrill crimes. McFadden measures out the complications, revelations, and betrayals with such an expert hand that readers anxiously trying to figure out whom Amy can trust as her goal shifts from ticking off a toilsome requirement to surviving the night may well end up wondering whom they can trust themselves. And isn’t provoking that kind of paranoia what medical thrillers are all about?
A superior entry in the night-on-the-nightmare-ward genre.Pub Date: March 4, 2025
ISBN: 9781464227271
Page Count: 320
Publisher: Poisoned Pen
Review Posted Online: Dec. 13, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
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