Ideals must be back, for Courtenay's first novel is a fast-paced book with an old-fashioned, clean-cut hero, easily identifiable villains, no sex, and saintlike sidekicks. All done in sturdy, workmanlike prose. Set in South Africa in the 1940s, the novel resembles those enormously popular books on southern Africa written by John Buchan and H. Rider Haggard. Courtenay's Peekay, like those earlier heroes, inspires devotion from a disparate band of followers, which includes a witch doctor, a German professor, a barmaid, Gert the Afrikaans policeman, Morrie the Jewish refugee, and his Oxbridge headmaster. Courtenay lovingly evokes an African landscape of small town and bush as he describes the journey of Peekay—from a horrendously cruel boarding school to a triumphant vindication as a young man in the copper mines of what is now Zambia. At his first school, Peekay, as the only English child in an otherwise Afrikaans school, is held accountable for all the wrongs inflicted by the British. But a fortuitous meeting with an amateur boxer, "Kid Louis" Groenewald, supplies the young Peekay with the means and the drive to fight back. Peekay learns to box (boxing fans will particularly appreciate the vividly described fights) and thereafter is forever serving justice and earning Brownie points. His first teachers are the tough Afrikaner jailers of his hometown prison and a black prisoner. Later, at a prep school in Johannesburg, while the victorious Afrikaner Nationalists introduce apartheid, he is taught by the best trainer in Africa. As well as being a scholar and everybody's favorite young man, Peekay also earns a reputation among the blacks as a great chief—"The Tadpole Angel"—who is destined to save them, but not in this book. Peekay is just too noble, and his political views, perhaps reflecting those of his times, are paternal to say the least. But, nevertheless, this is a somewhat endearing, if uncritical, celebration of virtue and positive thinking. Despite the lack of shading and the chipper philosophy, then, a surprisingly refreshing debut.
Pub Date: June 12, 1989
ISBN: 978-0-345-41005-4
Page Count: 523
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1989
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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