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THE GENIUS OF ISLAM

HOW MUSLIMS MADE THE MODERN WORLD

Barnard’s brave effort to cram such an immense subject into 40 pages leads to some debatable claims. He opens with a sweeping history of Muslim expansion (“Early Muslims knew they had a lot of catching up to do to equal or surpass the great civilizations that preceded and surrounded them”) and continues generalizing throughout (“Until the twentieth century, most buildings in most cities owed much of their look to Islam”). Single-topic spreads cover the development of Arabic calligraphy and the mass production of paper, revolutions in mathematics and medicine, artistic and architectural motifs, astronomy and navigation, plus the importation of new foodstuffs, ideas (e.g., marching bands, hospitals) and technology to the West. The array of street scenes, portraits, maps, still-lifes and diagrams add visual appeal but sometimes fall into irrelevancy. Labored stylistic tics stale (the Caliph’s pigeon post was “the email of the day,” the astrolabe was “the GPS device of its day,” the translation of Classical texts was “the Human Genome Project of its day”). The author winds down with a discussion of how the dismissive attitude of Renaissance “Petrarchists” led to a general loss of appreciation for Muslim culture and scholarship, then finishes abruptly with a page of adult-level “Further Reading.” Enthusiastic, yes; judicious and well-organized, not so much. (Nonfiction. 11-13)

Pub Date: April 5, 2011

ISBN: 978-0-375-84072-2

Page Count: 40

Publisher: Knopf

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: March 1, 2011

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VAQUEROS

AMERICA’S FIRST COWBOYS

Logically pointing out that the American cowboy archetype didn’t spring up from nowhere, Sandler, author of Cowboys (1994) and other volumes in the superficial, if luxuriously illustrated, “Library of Congress Book” series, looks back over 400 years of cattle tending in North America. His coverage ranges from the livestock carried on Columbus’s second voyage to today’s herding-by-helicopter operations. Here, too, the generous array of dramatic early prints, paintings, and photos are more likely to capture readers’ imaginations than the generality-ridden text. But among his vague comments about the characters, values, and culture passed by Mexican vaqueros to later arrivals from the Eastern US, Sadler intersperses nods to the gauchos, llaneros, and other South American “cowmen,” plus the paniolos of Hawaii, and the renowned African-American cowboys. He also decries the role film and popular literature have played in suppressing the vaqueros’ place in the history of the American West. He tackles an uncommon topic, and will broaden the historical perspective of many young cowboy fans, but his glance at modern vaqueros seems to stop at this country’s borders. Young readers will get a far more detailed, vivid picture of vaquero life and work from the cowboy classics in his annotated bibliography. (Notes, glossary, index) (Nonfiction. 10-12)

Pub Date: Jan. 15, 2001

ISBN: 0-8050-6019-7

Page Count: 116

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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MUMMIES OF THE PHARAOHS

EXPLORING THE VALLEY OF THE KINGS

An introduction to ancient Egypt and the Pharaohs buried in the Valley of the Kings. The authors begin with how archaeologist Howard Carter found the tomb of King Tut, then move back 3,000 years to the time of Thutmosis I, who built the first tomb in the Valley of the Kings. Finally they describe the building of the tomb of a later Pharaoh, Ramses II. The backward-forward narration is not always easy to follow, and the authors attribute emotions to the Pharaohs without citation. For example, “Thutmosis III was furious [with Hatshepsut]. He was especially annoyed that she planned to be buried in KV 20, the tomb of her father.” Since both these people lived 3,500 years ago, speculation on who was furious or annoyed should be used with extreme caution. And the tangled intrigue of Egyptian royalty is not easily sorted out in so brief a work. Throughout, though, there are spectacular photographs of ancient Egyptian artifacts, monuments, tomb paintings, jewels, and death masks that will appeal to young viewers. The photographs of the exposed mummies of Ramses II, King Tut, and Seti I are compelling. More useful for the hauntingly beautiful photos than the text. (brief bibliography, index) (Nonfiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7922-7223-4

Page Count: 64

Publisher: National Geographic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2001

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