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THE RECKLESS OATH WE MADE

Greenwood's upside-down contemporary fairy tale captivates with its wonderfully inventive storytelling and its...

A hot-tempered, gritty Kansas woman living on the edge and an autistic man obsessed with medieval chivalry team up in an unforgettable heroic quest to rescue her abducted sister.

Zhorzha Trego’s hardscrabble life takes a turn for the worse when older sister LaReigne, a volunteer at a local prison, is taken hostage with another woman by two escaped inmates. She learns the news while on a late-night train heading home to Wichita with her 5-year-old nephew, Marcus, after making a weed-smuggling run to Colorado. With a father who died in prison and a grieving mother who has become a 600-pound hoarder, the burden of supporting the family has fallen on redheaded Zee’s tall shoulders, and waitressing can't even begin to cover her medical bills from a motorcycle accident that left her with chronic hip pain. The attention from the police and press causes Zee to lose her apartment, her job, and her car in short order. To the rescue arrives her eccentric knight, whom she had met at a physical therapy clinic two years earlier. Gentry Frank is on the spectrum; his inner voices convince him that he’s Zee's champion. When he invites her and Marcus to stay with his loving, multiracial adoptive family, the unromantic Zee begins to connect with her odd suitor. After the second female hostage is found murdered, Zee realizes she must save LaReigne on her own. Together, she and the loyal Gentry embark on a dangerous journey. As in All the Ugly and Wonderful Things (2016), Greenwood depicts an unconventional romance with honesty and tenderness. Her short, briskly paced chapters keep the pages flying, and she expertly juggles nine different narrators with their own distinctive voices. The Middle English that Gentry speaks reveals his honorable nature and leavens the suspenseful storyline with fresh humor.

Greenwood's upside-down contemporary fairy tale captivates with its wonderfully inventive storytelling and its compassionately drawn, flawed characters.

Pub Date: Aug. 20, 2019

ISBN: 978-0-525-54184-4

Page Count: 448

Publisher: Putnam

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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