by Budd Schulberg ‧ RELEASE DATE: Aug. 1, 1981
Leisurely and ramblingly informative rather than gripping, then: a grand, funny tinsel-town cornucopia bursting with...
Father was optimistic B. P. Schulberg—philanderer, compulsive gambler, publicist (he dubbed Pickford "America's Sweetheart"), scenarist, lieutenant to "Uncle Adolph" Zukor, founder of Preferred Pictures, manager of Paramount, discoverer of Clara Bow, archenemy of L. B. Mayer. Mother was suspicious, pessimistic Ada, devotee of self-improvement, Jewish-intellectual style (later Hollywood's proto-typical woman-agent). And so little Buddy—born 1914—was indeed a Hollywood prince, with the Studio as "composite father." He and chum Maurice Rapf (son of a rival studio chief) played on the Ben Hur set; they cut up by flinging rotten figs at Norma Shearer et al. Buddy was fawned over by the stars, especially B.P.'s doxy Clara Bow—poor "Crisis-a-Day Clara," Brooklyn-accented and desperately seductive, even with a ten-year-old ("Mmmmmm. How wouldja like ta drive up to Arrowhead this weekend, Buddy? Just the two of uz!"). Buddy sat in on story conferences, had a summer job in the publicity department, got an "advanced course" in psychopathology: the miserable kiddie stars, the pathologically insecure biggies, the epic thick-headedness of such endearing egomaniacs as now-forgotten George Bancroft. (Schulberg delights in resurrecting the lesser-knowns.) But: "If I had a silver spoon in my mouth, I was gagging on it." How so? Well, Buddy was a terrible stammerer—unhelped by Ada's Freudian theories or voice coaches; he also, with Maurice, "built fear of the opposite sex into a cult." And while Ada pushed Buddy to achieve, B.P. treated his tries at writing exactly the same as the work of $1000-a-day Ben Hecht ("Lousy!" was the usual one-word critique). But, above all, there was the endless B.P./Ada bickering—peaking when Buddy was 17, when B.P. was carrying on with Sylvia Sidney; Ada screamed ("She's nothing but a little hoot. Cheap little kike!"); Oedipally feverish Buddy, sent east to prep school, dreamed of assassinating homewrecker Sylvia. . . and even made one melodramatic appearance at the Sidney place. A great story of domestic nightmare and adolescent fury? Yes indeed. But Schulberg has chosen not to shape or dwell on it, Haywire-fashion. Instead, drawing on B.P.'s unpublished memoirs as well as his own memories, he cheerfully surrounds the personal drama here with a broad range of Hollywood history and anecdotes.
Leisurely and ramblingly informative rather than gripping, then: a grand, funny tinsel-town cornucopia bursting with first-hand, second-hand, and third-hand tales.Pub Date: Aug. 1, 1981
ISBN: 9781566635264
Page Count: 548
Publisher: N/A
Review Posted Online: July 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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