developed by BumpBump Books ‧ RELEASE DATE: Jan. 4, 2013
A pleasantly understated alternative to the many frenetic apps on the market
As might be expected for a god, Hermes’ beginnings are far from ordinary.
Born at dawn, he eats nonstop and grows prodigiously—as the uncredited text reads, “The day of his birth was exceptionally trying for his poor mother.” Bored by nightfall, he slips out of the cave and straightaway happens upon a herd of “lovely cows,” which he steals before butchering and eating two of them. “Woe unto Hermes,” though, as those lovely cows just happen to be Apollo’s. As apology, Hermes presents Apollo with the first lyre—partly made from the horns of one of Apollo’s dead cows. Illustrations are largely watercolor with some collaged-in elements, most notably a cherubic Victorian face that cleverly belies Hermes’ naughtiness. The app is minimally interactive, opting for subtle animation and sound effects over finger taps in a way that prioritizes the story. The text is exceptionally well-synced to both pleasingly accented narration and page turns, but there is no advanced navigation or options. At the end of the story, children are rewarded with the opportunity to drive Hermes around in a bumper car, bashing the developer’s other characters (Bluebeard, Baba Yaga and Punch) and revealing satisfyingly puerile jokes with each crash. Its greatest liability is the absence of any kind of source note to contextualize the myth for children not already familiar with it. [Editor's note: background information added in version 1.1, May 12, 2013.]
A pleasantly understated alternative to the many frenetic apps on the market . (iPad storybook app. 4-8)Pub Date: Jan. 4, 2013
ISBN: N/A
Page Count: -
Publisher: BumpBump Books
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
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developed by BumpBump Books
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Christopher Nielsen
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by Adam Wallace ; illustrated by Andy Elkerton
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
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by Matt de la Peña ; illustrated by Loren Long
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by Loren Long ; illustrated by Loren Long
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by Jason June ; illustrated by Loren Long
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