by Burkhard Bilger ‧ RELEASE DATE: Sept. 19, 2000
A dangerous work, capable of provoking readers into buying a frog farm.
Polished essays edged with a tinder-dry wit on eight subcultures, some more or less suspect, of the American South, from Discover editor Bilger.
That a number of these subcultures even exist will be a surprise to many people: grabbing catfish out of hidey-holes, supping on squirrel brains, treeing raccoons in the night. But Bilger not only invests these activities with dignity; he makes sensible their place in the folkways of the South, how they evolved and why. Which in no way means these pastimes won't strike readers as crazy or absurd or dangerous. Take noodling for catfish, in which the participant shoves an arm into an underwater chamber, sight unseen, where, hopefully, an alert and aggressive catfish is guarding eggs. The idea is to insert your arm into the fish's mouth and pull it out of its den. Meanwhile, the fish is working on your arm like a rotary sander, that is if you haven't mistakenly introduced your arm into the hideaway of a snapping turtle or cottonmouth. Bilger's technique is to glom himself onto an expert of a tradition—a special game of marbles, farming frogs, cockfighting, white lightning—and follow attentively, all ears but also a hapless ("I learned about the American wilderness by reading James Fenimore Cooper in German") if willing participant in rural arcana that can bite, literally. Like those catfish, or contracting Creutzfeldt-Jakob disease from a simple dish of rodent: "He was putting some squirrel heads in the microwave for lunch, he remembers, when one of the guys mentioned the mad cow disease." Bilger gives each of his subjects solid background, takes pains to get to know his Virgils, and finely paints the landscapes, from the huddled hills of Dark Corners, South Carolina, moonshiners to the redbone coonhound precincts of Oklahoma's Kiamichi Mountains.
A dangerous work, capable of provoking readers into buying a frog farm.Pub Date: Sept. 19, 2000
ISBN: 0-684-85010-9
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
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edited by David Quammen & Burkhard Bilger
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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