Mack (New Testament/School of Theology, Claremont) argues that the New Testament, far from representing historical facts, is the product of a process in which the countercultural sayings of Jesus were transformed into a universally acceptable myth. According to Mack, the only items in the Gospels genuinely deriving from Jesus are collections of pithy aphorisms, labeled Q by scholars for over a century, that focus on a very this-worldly, social concept of the kingdom of God. Mack envisages the existence of various groups of ``Jesus people,'' such as those whose Jewish influence can be seen in Matthew's Gospel or others, of a distinctly Gnostic bent, who produced the Coptic Gospel of Thomas, discovered in 1945. The Christianity of the New Testament, we are told, was a sophisticated myth that grew out of the groups' need to show that their kingdom of God movement had the backing of the God of Israel, even though it repudiated the ethnic exclusiveness of traditional Judaism. Mack argues that Paul's letter to the Galatians is the first elaboration of the Christ myth's logic that gentiles could belong to Israel. In this scenario, the formation of the Christian Bible as a closed ``canon'' of inspired writings was due to the demands of Constantine, who wanted Christianity to be a monolithic state religion throughout his empire. Mack hopes that his demythologizing the Christian Bible will enable Americans to treat it in a less simplistic way, but some of his premises will alienate many believers, e.g., that Jesus' teachings must have been purely social and that the Gospel accounts of his miracles are ``preposterous.'' Although he makes a plausible case, Mack never gets near to actually proving that his version of Jesus lies behind the extant texts.
Pub Date: Dec. 1, 1995
ISBN: 0-06-065517-8
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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