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JUSTICE OVERRULED

UNMASKING THE CRIMINAL JUSTICE SYSTEM

A judge-turned-pundit proposes to fix America's ``broken'' criminal justice system. In his previous incarnations as prosecutor, defense attorney, and L.A. Municipal and Superior Court judge, TV and radio commentator Katz waded ``waist-deep in the muck'' of a criminal justice system that, he says, encouraged cops to lie, attorneys to deceive, juries to snooze, and judges to abdicate control over their courtrooms. Here Katz assaults the system from all sides, beginning with the ``byzantine'' judge-made rules for excluding relevant but wrongly seized evidence in criminal cases. According to Katz, the exclusionary rule forces good cops to ``testi-ly'' to retroactively conform their behavior to ``demeaning'' procedures. (In his controversial view, ``cops may lie about how they got the evidence . . . [but] they rarely lie about the defendant's guilt.'') Katz also favors scrapping Miranda warnings; instead, all statements given to police should be videotaped, then subjected to judicial hearings. If rolling back such key Warren Court reforms seems unlikely, Katz offers numerous other suggestions embraced by more centrist court watchers: limiting peremptory challenges of potential jurors; firing all jury consultants; dispensing with the requirement that verdicts be unanimous, except in the penalty phase of capital cases; sanctioning ``intemperate'' attorneys with jail sentences, fines, and even disbarment; and limiting ``abuse-excuse'' testimony to probation and sentencing hearings. Katz's incisive, specific, tough-but-fair analysis is marred only by a racially insensitive anecdote and a general tendency toward self-aggrandizement (quoting transcripts of his own court performances and laudatory letters) and self-justification (repeatedly explaining his controversial rulings as judge in the trial of stalked-and-murdered actress Dominique Dunne). The writing is punchy, but sometimes sounds as if it had been dictated rather than written by the author (``How many more were out there just like her? Black, brown, yellow, white? Color didn't matter. Only the children; they matter.''). Despite its flaws, a standout in the growing genre of judge tell-alls. (Author tour)

Pub Date: July 11, 1997

ISBN: 0-446-52042-X

Page Count: 304

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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