Greaves’ impressive research illuminates many aspects of this long-ago legal spectacular. Yet he achieves his most telling...
A novel of mobsters, madams, and manipulative lawyers in 1930s New York.
Greaves, who when using “Chuck” as his byline specializes in hard-boiled legal thrillers set in Southern California, publishes under his statelier moniker this fact-based, multilayered historical novel about the 1936 trial of Salvatore Lucania, aka Charles “Lucky” Luciano, the most powerful crime boss in America, who was charged with, and later convicted on, 62 counts of compulsory prostitution. The aforementioned layers are separate narratives, each with a distinctive tone and point of view, which are woven together to show how the destinies of four very different, driven people converged at that trial and were, to varying degrees, transformed by it. Chief among them is “Charlie Lucky” himself, who achieves his reputation—and his nickname—through a potent combination of hooded-eyed menace, coldblooded pragmatism, and an implacable aptitude for survival. Such gifts enable Luciano to outlast and outwit any and all challengers to his unofficial title of “boss of bosses” until he meets his most formidable (and unlikely) foe: Thomas E. Dewey, the young, prim, baritone-voiced special prosecutor, whose ruthless pursuit of Luciano’s conviction, if successful, could propel him to the governor’s mansion—and, quite possibly, beyond. Opposing Dewey is Luciano’s lawyer, George Morton Levy, an astute Long Island litigator whose meticulousness in preparation is often countered by a gambler’s attraction to the big risk. (“I never seem to know when to quit while I’m ahead,” he confesses to a colleague after a rare loss.) Last and certainly not least is one of the prosecution’s star witnesses: Cokey Flo Brown, a heroin addict and recidivist prostitute, who, despite showing the physical and emotional effects of a rough-and-tumble life, “is brassy and shrewd, with a wharf rat’s instinct for self-preservation.” Hers is the testimony that turns the tide against Luciano to the point where Levy reluctantly lets his client testify on his own behalf, “with foreseeably disastrous results”
Greaves’ impressive research illuminates many aspects of this long-ago legal spectacular. Yet he achieves his most telling effects with his imaginative renderings of the eponymous quartet—especially Lucky and Cokey Flo, though you wish there were some more of George.Pub Date: Nov. 3, 2015
ISBN: 978-1-62040-785-1
Page Count: 448
Publisher: Bloomsbury
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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