Sufficient mystery nearly overshadowed by stellar character subplots and a sweet but realistic father-daughter reunion.
A Phoenix PI and the teenage daughter he just learned he had find themselves embroiled in deception, murder, and human trafficking in Lewis’ debut thriller.
The latest drunken rant from Enid Iglowski’s mom comes with a shock: Enid’s father isn’t really her father. Enid tracks down her biological dad, Jack Fox, a private eye working in Arizona. Jack had no idea Enid existed, and he doesn’t know what to do with her. Plus, he’s already got enough on his plate: Jeni Hargrove hires him to find her real mother, while her wealthy sister Eve pays Jack to drop Jeni’s case. Detective Bud Orlean, meanwhile, may have a break in Daniel Hargrove’s presumed murder. Daniel, the sisters’ stepfather, has been missing for over three years; someone mailed a few body parts, including a heart, to the cops, but police have found what could be the rest of him. As Jack starts a dangerous relationship with Eve, he wonders why another private eye is following him—and who’s behind another, more recent murder. Despite Jack’s job, the murder investigation takes a back seat to an elaborate, albeit continually fascinating, soap opera. There are shades of a detective story: dark family secrets, more than one femme fatale, and Enid’s going undercover at a home for wayward girls to get some dirt on the Hargroves. But drama abounds, overwhelmingly so: Bud’s wife, Bunnie, threatens to divorce him if he won’t retire, and son Chip drops out of med school to become a writer; Petunia, with whom Jack had an affair, doesn’t seem to want to leave him alone; and Enid is terrified that Jack will hate her, but the stubborn girl doesn’t make liking her very easy. Rather than identifying a killer(s), the story eventually becomes more about who’s having (or wants to have) sex with whom. Enid is initially exasperating—she’s not above tantrums or milking others for sympathy since she was the result of a one-night stand—but she’ll grow on readers. Meanwhile, the banter and heated arguments between Jack and Enid are typically funny, almost endearing. She clearly wants a father, and his care for her is unmistakable. Lewis also drops in a few surprising turns both for the murders and the intermingling soap-operatic stories.
Sufficient mystery nearly overshadowed by stellar character subplots and a sweet but realistic father-daughter reunion.Pub Date: July 29, 2014
ISBN: 978-0990610809
Page Count: 384
Publisher: CreateSpace
Review Posted Online: May 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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