Deeply felt and beautifully written; a major addition to the literature of Katrina.
A New Orleans family is shattered and scattered by Hurricane Katrina and its aftermath.
“Grief was infinite, though, wasn’t it,” thinks one of the characters midway through this powerful, important novel, “something like love that, divided, did not diminish.” Babst’s debut tracks the experiences of five family members from the pre-Katrina evacuation of the city through late November 2005, 93 days after landfall. Dr. Tess Eshleman is a psychiatrist, an Uptown blue blood married to Joe Boisdoré, a Creole sculptor descended from freed slaves whose work has made it as far as the Guggenheim; the couple raised their two mixed-race daughters in a historic house on the Esplanade. By the time the hurricane drops a magnolia tree through the roof of that home, Tess and Joe have evacuated to Houston, taking with them Joe’s father, who suffers from advanced Lewy body dementia and was in an institution until it shut down for the storm. Their daughter Cora, who struggles with mental illness and depression, refused to leave with the family, then cannot be found when they return. By the time their other daughter, Del, arrives from New York City in October, the pressures of the storm have driven Tess and Joe to separate—and though Cora has been found, drinking tea with an elderly friend of the family in the ruins of her garden, she is catatonic. Much of the plot is devoted to unpacking exactly what happened to her during the storm and the flood. This novel is New Orleans to the bone, an authentic, detailed picture of the physical and emotional geography of the city, before, during, and after the tragedy, its social strata, its racial complications, the zillion cultural details that define its character: the parrots in the palm trees, the pork in the green beans, the vein in the shrimp, “the goddamned tacky way he flew his Rex flag out of season.”
Deeply felt and beautifully written; a major addition to the literature of Katrina.Pub Date: Oct. 17, 2017
ISBN: 978-1-61620-528-7
Page Count: 384
Publisher: Algonquin
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Aug. 15, 2017
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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