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Tapestry: Strands of Yellow and Blue

BOOK I

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This debut medieval romance sees a traumatized teen regain her passion for life, with the help of a man haunted by his own tragic past.
In 1122, in the kingdom of Blinth, a young teen runs in panic through the woods before finally collapsing. She awakens next to a stag that tells her that the men following her are friendly and that she should go with them in order to heal the cuts on her feet. Tristam, the leader of the hunting party, carries her to King Stefan’s castle. However, once her fever breaks, she finds herself unable to speak or remember anything about her past. Tristam names her Grace and takes a personal interest in her recovery. He’s still healing as well, after losing his wife and daughter in the woods years ago, and he grows closer to the foreign girl at the risk of his own reputation. Eventually, Grace starts communicating through sign language, going to school, and enjoying close friendships inside and outside the castle. But both she and Tristam sense a tragedy in her past that she’s blocked out completely. Will their deepening bond help or hinder her full recovery? Arnold sets her incredibly layered narrative in a Christian kingdom while offering mystery, romance and a parable on the power of healing. The chapters alternate between Tristam’s and Grace’s first-person accounts, and the author emphasizes the sense of touch throughout, characterized by tender dignity: “I go to him,” says Grace, “and wrap him in my arms as best I can. I stroke his hair. I kiss his brow.” However, this is also a story about healing from sexual abuse, and Arnold handles the traumatic subject with exceptional realism, particularly when she depicts Grace’s oscillation between isolation and acceptance. Splendid secondary characters, such as Becca and Geneva, keep the tale from becoming too dour. Grace’s headmaster provides moments of wisdom, as when she tells Grace in a moment of doubt, “[M]any times those who are different are indeed our brightest.” Plenty of court intrigue and a stunning twist at the end could bring readers back for a sequel.
A glowing, potent fantasy tale for teens and adults.

Pub Date: July 12, 2012

ISBN: 978-1-936447-06-0

Page Count: 318

Publisher: CreateSpace

Review Posted Online: July 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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