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THE WORLD DIVIDED BY PIPER

Perceptive but uneven.

A seventh grader grapples with the onset of puberty.

Eleven-year-old Piper Franklin, a gifted white girl, has taken puberty blockers since age 7 to delay precocious puberty. Now, her endocrinologist has cleared her to stop the injections. But Piper has no intention of entering puberty. Hormones and periods will only distract her from the upcoming academic decathlon, and she and BFF Tallulah—a girl from her gifted program who’s Black and has ADHD—are determined to win. Piper’s baby sister is distracting enough, frequently demanding Mom’s attention. Worse, womanhood means being weighed down by myriad indignities, something Piper dubs the Wordless Chain and struggles to name. Even metaphorical math—Piper’s attempt to explain emotions via mathematical concepts—can’t make Mom understand her reluctance to start puberty, and tensions rise despite her stepfather’s mediation. But as Piper develops a crush on Ivan, a Black trans boy from her support group for kids “having a tough time with puberty,” and hangs with her supportive older half sister, growing up seems more inviting…except for that Wordless Chain. Language for said Chain comes extremely late, and readers will share Piper’s increasing frustration as she struggles to articulate her dilemma. Ivan’s and Tallulah’s dialogue sparks eloquent insights into trans identity and neurodivergence (respectively), and Piper’s interspersed notes on the metaphorical math of friendship and family are thought-provoking. Unfortunately, the resolution of one major plot point strains credulity and echoes the trope of a disabled character inspiring nondisabled people.

Perceptive but uneven. (Fiction. 8-12)

Pub Date: March 19, 2024

ISBN: 9780062996664

Page Count: 384

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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