A heart-rending character study.
A woman searches for answers about the sudden death of her sister in Buhr’s family drama.
A year after the death of her sister, Rachel, from an overdose, Christine Lange receives a surprise phone call from a woman named Keji Nakayama. Walter Anderson, a therapist Christine saw a few times before her sister’s death, has been talking about her and gave Keji, another one of his patients, Christine’s number. When the two women meet, Christine learns that Keji’s brother, Yota, also recently overdosed, that he knew Rachel, and that they both knew Walter. Though Christine has spent the past year hiding from her grief by burying herself in her work for a Seattle nonprofit organization, now she’s determined to find answers about the end of Rachel’s life. Along the way, she becomes close friends with Keji and finally starts to heal. The framing of the story is a bit misleading—the opening seems to set up a mystery surrounding the events leading to Rachel’s death, with Walter as a potential villain. Yet Rachel’s death turns out to be not very mysterious at all, and Walter’s impact on the plot is much smaller than initially implied. The timeline jumps around, from Christine’s childhood to her adolescence to her adulthood, but the skips are never confusing. The story comes together in a collage of grief that is achingly and intimately drawn: “That comment stung…What Christine had only just realized one day previously when her dad said the words, ‘Your sister’s gone,’ Rachel had known well enough to share with her AA sponsor. They weren’t close.” The characters are all fully realized, especially Rachel, though the sections from her point of view feel a bit extraneous. While Christine’s journey to find her sister might have been more powerful if readers didn’t have the information that she’s missing, this quietly painful story of loss is not one to miss.
A heart-rending character study.Pub Date: May 14, 2024
ISBN: 9798891322325
Page Count: 276
Publisher: Atmosphere Press
Review Posted Online: May 14, 2024
Kirkus Reviews Issue: July 1, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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