by Callie Grant ; illustrated by Suzanne Etienne ‧ RELEASE DATE: Feb. 1, 2014
Lacking in consistency and coherence, this effort remains an interesting concept unsuccessfully executed.
The life story of a seed is set in a biblical context.
Readers are introduced on the first page to Little Seed, who will serve as the uninspiring and often hard-to-spot main character of this tale. It floats to the ground and is buried in the soil until winter arrives and the earth freezes. Lest readers worry about Little Seed at this point, they are offered the startling—for no religious or spiritual context has been thus far established—reassurance that “God gave Little Seed everything it needed. Its hard coat protected it. Little Seed was safe.” When spring comes, Little Seed’s softened shell splits open, and a sprout and roots begin to grow. At this point, the illustrations present several small seedlings, making it impossible to even identify Little Seed. When summer rolls around, Little Seed has become a sunflower that must reproduce in fall to fulfill its destiny. The final page spread attempts to tie everything together by offering a quotation referencing gardens and seeds from Isaiah 61:11. The illustrations, an unusual mixture of realism and impressionism, are plagued by inconsistencies. The permanent fixtures of Little Seed’s background, for example, seem to change from season to season, though presumably it remains rooted in the same spot.
Lacking in consistency and coherence, this effort remains an interesting concept unsuccessfully executed. (Board book. 2-4)Pub Date: Feb. 1, 2014
ISBN: 978-0-9854090-7-4
Page Count: 24
Publisher: Graham Blanchard
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: July 1, 2014
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by Callie Grant ; illustrated by Jodie Stowe
by Elizabeth Spurr ; illustrated by Manelle Oliphant ‧ RELEASE DATE: March 1, 2016
A gentle outing for children who are ready for stories of everyday life rather than just objects to name.
A brief rhyming board book for toddlers.
Spurr's earlier board books (In the Garden and At the Beach, both 2012; In the Woods, 2013) featured an adventuresome little boy. Her new slice-of-life story stars an equally joyful little girl who takes pleasure in flying a new kite while not venturing far off the walkway. Oliphant's expressive and light-filled watercolors clearly depict the child's emotions—eager excitement on the way to the park, delight at the kite's flight in the wind, shock when the kite breaks free, dejection, and finally relief and amazement. The rhymes work, though uneven syllable counts in some stanzas interrupt the smooth flow of the verse. The illustrations depict the child with her mass of windblown curls, brown skin, and pronounced facial features as African-American. Her guardian (presumably her mother) is also brown-skinned. It is refreshing to see an African-American family settled comfortably in a suburban setting with single-family homes and a park where the family dog does not need to be leashed.
A gentle outing for children who are ready for stories of everyday life rather than just objects to name. (Board book. 2-4)Pub Date: March 1, 2016
ISBN: 978-1-56145-854-7
Page Count: 22
Publisher: Peachtree
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: July 1, 2016
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by Elizabeth Spurr ; illustrated by Manelle Oliphant
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by Elizabeth Spurr ; illustrated by Manelle Oliphant
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by Elizabeth Spurr ; illustrated by Manelle Oliphant
by Laurel Snyder & illustrated by Jui Ishida ‧ RELEASE DATE: March 27, 2012
A wholesome and gentle story that's pleasant and soothing for little ones of all faiths, though it will have extra resonance...
The wonder of the natural world becomes more meaningful through active engagement with it.
A young family’s camping vacation makes two significant overnight stops, one at the seaside and one further inland in a lush green field. As parents set up tents, brother and sister feel the hot sand, marvel at the wide waves, breathe in the salty air and hear the wind’s English/Hebrew whisper of “good night, laila tov.” Similarly, while parents plant new tree seedlings in the field, children gather berries, are awed by field mice, surprised by bees and ultimately fall asleep to the rhythmic pattern of rain that mimics the “good night, laila tov” message. Bright, often full double-page scenes in deeply rich, opaque hues on textured paper bring out the natural essence of this sweet bedtime piece told in lilting rhyme. “We drove out to the oceanside. / The sand was hot. The waves were wide. / Tall grasses swayed. The salty air / Was soft and still and everywhere.” The continual assurance of its repetitive refrain, found on every other page, complements the theme of caring for nature’s beauty. Though the Judaic concept of tikkun olam, or repairing the world, is not explicitly stated within the text, it pervades the whole.
A wholesome and gentle story that's pleasant and soothing for little ones of all faiths, though it will have extra resonance in Jewish households. (Picture book. 2-4)Pub Date: March 27, 2012
ISBN: 978-0-375-86868-9
Page Count: 32
Publisher: Random House
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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by Laurel Snyder ; illustrated by Dan Santat
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by Laurel Snyder ; illustrated by Emily Hughes
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