A muddled spiritual inventory that could have used a lighter touch.
An American man’s existential journey is aided by various women in Baker’s cerebral fourth novel (Dominion, 2006, etc.).
Here’s what we know about narrator Harper Roland: he's single; 37; only living relative is an aunt; lives in downtown Manhattan; burned out after seven years as a war correspondent for a small magazine. These details are thrown out casually, along with a hint that Harper is black. What matters is his emotional state, which is in flux. He’s been dating Devi, an emergency room doctor, but wants something more intense than what she’s willing to offer. He quits the magazine and flies to Paris to work on a screenplay for Davidson, an egotistical director of art-house movies. Intensity is waiting for him in the form of Genevieve, a bohemian beauty who declares, operatically, “you are my man.” They live at fever pitch until, in another bolt from the blue, Genevieve has a breakdown and sets him free. Harper, who identifies with Oedipus, endures the reversal of fortune even though he’s afflicted by “a vast, cosmic emptiness.” This is assuaged by a trip to Rio to join a friend’s bachelor party. In a brothel, he's charmed by a high-minded whore who ruminates on the soul/body connection before pleasuring Harper with the blend, but it’s only further south, down Patagonia way, that he overcomes his dread of becoming another lost soul when he meets fellow American Sylvie, a constitutional lawyer, and feels “a great uprush of kindredness.” Journey’s end? Not quite. Baker tacks on a final section set in Africa. Harper is on safari with Sylvie when they’re abducted by murderous, sociopathic guerrillas. What follows is standard-issue escape and pursuit, but the soul mates still find time to extol the cosmic energy of their first meeting.
A muddled spiritual inventory that could have used a lighter touch.Pub Date: July 4, 2015
ISBN: 978-1-4405-8578-4
Page Count: 288
Publisher: Tyrus Books
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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