More of the same—but a nice more.
The Thurber Prize winner’s first collection of poetry for children has a familiar feel, except for that blue hyena.
In poems generally inspired by real-life experiences, Trillin turns his gaze upon the ebb and flow of childhood. The kids here are sure to strike a familiar chord with anyone who knows a stuffed-animal hoarder or has a sister incapable of keeping to her side of the back seat. For readers accustomed to Shel Silverstein, Jack Prelutsky, and the like, Trillin breaks little new ground with this collection, presenting such usual suspects as kids who want a dog (“To Get a Pet”), unwanted younger siblings (“Baby Brother Billy”), and bossy older siblings (“Who Plays What”). There are some notable exceptions, however, as in “Who’s the Awfulest Kid in Your Class?” in which a nephew with an inquisitive uncle feels compelled to invent a bully. Trillin’s wordplay can be enjoyable (“She’s over the line, / She’s over the line. / She occupies space / That’s rightfully mine”) but more often than not merely feels diligent. Chast’s beleaguered, oft-frenzied, only occasionally multiracial denizens do much to elevate Trillin’s familiar subjects. Her blue hyena is an exercise in child-friendly psychosis, while her pictorial demonstration of shoe-tying mishaps is laugh-out-loud funny.
More of the same—but a nice more. (Picture book/poetry. 7-10)Pub Date: Sept. 27, 2016
ISBN: 978-0-545-82578-8
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
A luminous call to think about what is and to envision what might be.
In U.S. Poet Laureate Limón’s debut picture book, soaring images and lyrics invite contemplation of life’s wonders—on Earth and perhaps, tantalizingly, elsewhere.
“O second moon,” writes Limón, “we, too, are made / of water, // of vast and beckoning seas.” In visual responses to a poem that will be carried by NASA’s Europa Clipper, a probe scheduled for launch in October 2024 and designed to check Jupiter’s ice-covered ocean moon for possible signs of life, Sís offers flowing glimpses of earthly birds and whales, of heavenly bodies lit with benevolent smiles, and a small light-skinned space traveler flying between worlds in a vessel held aloft by a giant book. Following the undulations of the poet’s cadence, falling raindrops give way to shimmering splashes, then to a climactic fiery vision reminiscent of Vincent van Gogh’s Starry Night before finishing with mirrored human figures made of stars. Visual images evocative of the tree of life presage what Límon writes in her afterword: that her poem is as much about “our own precious planet” as it is about what may lie in wait for us to discover on others. “We, too, are made of wonders, of great / and ordinary loves, // of small invisible worlds, // of a need to call out through the dark.”
A luminous call to think about what is and to envision what might be. (Picture book. 7-10)Pub Date: Oct. 1, 2024
ISBN: 9781324054009
Page Count: 32
Publisher: Norton Young Readers
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Some spry and inspired grave humor here, but weighed equally with some unimaginative efforts.
Cracked epitaphs from Lewis and Yolen.
This is a collection of 30 tombstone remembrances with an eye for the emphatically stamped exit visa. Ushered along by Timmins’ smoky, gothic artwork—and sometimes over-reliant upon it for effect—these last laughs take on a variety of moods. Sometimes they are gruesome, as with the newt, “so small, / so fine, / so squashed / beneath / the crossing / sign.” There are the macabre and the simply passing: “In his pond, / he peacefully soaked, / then, ever so quietly / croaked.” Goodbye frog—haplessly, hopelessly adrift in the olivy murk, a lily flower as witness and X's for eyes. When writers and artist are in balance, as they are here, or when the Canada goose gets cooked on the high-tension wires, the pages create a world unto themselves, beguiling and sad. It works with the decrepitude of the eel and the spookiness of the piranha’s undoing. But there are also times when the text end of the equation lets the side down. “Firefly’s Last Flight: Lights out.” Or the last of a wizened stag: “Win some. / Lose some. / Venison.” Or the swan’s last note: “A simple song. / It wasn’t long.” In these cases, brevity is not the soul of wit, but lost chances at poking a finger in the eye of the Reaper.
Some spry and inspired grave humor here, but weighed equally with some unimaginative efforts. (Picture book. 7-10)Pub Date: July 1, 2012
ISBN: 978-1-58089-260-5
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: June 15, 2012
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