MAYA PLAYS THE PART

At the theater camp of her dreams, an autistic 11-year-old is determined to be the star.

Maya can’t believe she’s going to attend musical theater day camp with “THE Irene Brown, legendary theater director.” And this summer, the camp will be putting on a performance of The Drowsy Chaperone, which is only Maya’s “favorite play of all time.” Obviously, Irene Brown will see that Maya is perfect for the starring role: She knows all the songs and everything about the show, and she even has a homemade shirt with The Drowsy Chaperone written on it. So why does Maya’s mother keep telling her not to take the starring role for granted? This is obviously just another one of her mother’s autism rules, like “Don’t chew on your hair” and “Don’t talk too much about musicals.” Maya’s even making new friends, but they get mad at her for no reason—she’s just trying to be helpful when she corrects their mistakes. She doesn’t want to always pretend to be “Maya in Public,” her most well-rehearsed role, but she does want to have friends. Can she be happily, obsessively perfectionist about theater and still be liked? Nuances and the messiness of growing up enrich Maya’s satisfying journey: Painfully, ultimately joyfully, she navigates the weirdness of friendships with neurotypical kids. Maya is white; Irene Brown is Black, and there’s racial diversity among the supporting characters.

A celebratory story of acceptance and creative expression.