A stunning fantasy debut.
Lay’s debut novel recounts the story of a writer and the fantasy world he’s struggling to create.
Half of this book details the life of Jack Ampong, a frustrated author who’s trying to write a Tolkien-esque fantasy novel, composed of several interconnected short stories. He quit working as an analytics manager to write full time while his wife, Sarah D’Albero-Ampong, a former artist, supports them financially by making sports collectibles, which puts a strain on their marriage. The narrative moves back and forth between the two and includes newspaper articles, text messages, Facebook posts, and more. These tell stories of such things as Sarah’s stellar high school basketball career and details about Jack’s writing difficulties. The other half of the novel is comprised of Jack’s fantasy tales, replete with maps and fictional histories. In this world, elflike people with short life spans hold their people’s collective memories in a “Memory Tree.” There are also sorcerers, the Cree, whose magic comes at a cost: They can’t have kids. This narrative moves around in time, jumping between various locales and several different characters, including sorcerer/scholar Padgett and a mysterious figure named Benedictus. One story focuses on an aging commander who’s attempting to protect his backwater outpost from an unknown army; another tells of two unlikely detectives searching for a missing prince. The overall, interconnected structure is riveting, as the reader never knows where the story will go next—in either arc. The dual storylines effectively feed off of each other, and various details and character traits make their ways from Jack’s life into his fiction. Moreover, Lay manages to bring the two different strands together at the end in a satisfactory and unexpected way. By the end of the novel, the author impressively creates two vivid worlds, each with its own history and compelling characters, while also offering a meditation on the relationship between creativity, fertility, and shared memory.
A stunning fantasy debut.Pub Date: Oct. 16, 2018
ISBN: 978-1-7321035-0-4
Page Count: 419
Publisher: Gowanus Press
Review Posted Online: Aug. 18, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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