The making of a young female entrepreneur rendered in unvarnished detail.
Finding beauty and moral high ground in the abattoir.
In this debut memoir, Davis recounts the period when she was laid off from writing for a weekly paper in her native Portland, Oregon, and decided to become a professional butcher and local farming activist instead. When the first few butchers she sought out dismissed her attempts to learn the trade, the author maxed out her last credit card to study for seven weeks on a cooperative farm and slaughterhouse in Gascony, France. Davis’ apprenticeship introduced her to a different kind of industry, a radically local form of vertical integration wherein they slaughtered, butchered, and sold every inch of the animals they raised to customers living within driving distance. These conscientious slaughtering and curing methods inspired Davis to seek out other earnest, like-minded practitioners when she returned home. With few resources besides her partner, Joelle, a fellow female butcher, and her way with words, Davis helped start the Portland Meat Collective, one of the first organizations of its kind dedicated to educating American consumers about the provenance of their meat and to promoting the less familiar cuts and methods that whole-animal chefs around the world have been serving for generations. Though the meat-squeamish might skip over the visceral descriptions of killing animals, Davis writes for them in particular. The author and her ilk believe those who eat meat have a moral obligation to source it as conscientiously and locally as possible. The author writes almost as much about her love life and her search for authentic self-redefinition as she does about carving carcasses. She relates her simultaneous relationships with a man and a woman, her pratfalls as a butcher’s apprentice, and the shambling state of her affairs in general, but the writing, like her life, clicks into place when she loses herself in the subject matter.
The making of a young female entrepreneur rendered in unvarnished detail.Pub Date: July 24, 2018
ISBN: 978-1-101-98007-1
Page Count: 352
Publisher: Penguin Press
Review Posted Online: May 5, 2018
Kirkus Reviews Issue: June 1, 2018
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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