The (ample) fun is in the details.
Oscar the mole has a secret ambition—to become a detective.
Oscar is a chef; but he reads mysteries and thrillers, and he has “a nose that knows” (he’s sniffed out the secret ingredient in Aunt Mole’s stink bug stew: earthworm). With his “eye for details” (questionable) and his deerstalker hat and trench coat, he knows he would make an excellent gumshoe. He just needs a case. When Grandpa Squirrel goes missing, Oscar is ready for action. He sketches a detailed (if, um, imprecise) picture of the subject and questions the forest dwellers. Then he investigates the crime scene and interrogates known criminals like the magpie. He knows not to fall for false leads. He gathers his evidence and tries to connect it. A walk to the lake might clear his mind…or put him where he needs to be to learn the most important quality of a true detective: being in the right place at the right time. Deftly translated from the Italian by Bibo, Pintonato’s charming tale of a bumbling, want-to-be woodland detective is told in a mix of narration and speech bubbles. The sly cartoon illustrations of clothed creatures, created in Photoshop, provide much of the humor. Budding detectives will solve the case long before Oscar and catch the many crimes he misses. (This book was reviewed digitally.)
The (ample) fun is in the details. (Picture book. 4-7)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-305178-2
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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