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SEX AND THE CITY

Often funny and occasionally bleak, this is a captivating look at the "Age of Un-Innocence,'' in a city in which the...

Fascinating and haunting insights into the love lives of the rich and randy in New York.

Bushnell has gleaned pieces from her popular New York Observer column and combined them into an oddly touching collection. While the privileged, beautiful, pony-skin-boot-wearing folk she reports on seem ripe for parody, Bushnell has chosen to humanize them. The earlier articles feature Bushnell herself; she wisely removes herself from the later pieces, writing with the detached grace of an early Didion, and allows her friend (and alter ego?) Carrie to do the reporting. In one story, Carrie and her friends journey to Connecticut's wealthy suburbs to attend a wedding shower, complaining all the way. Bushnell perfectly captures the poignant moment when the New York group, glossy and single, realize that they are in fact jealous of their settled friend. The realization leads to a series of confessions: One woman nervously admits that she broke her ankle while rollerblading in an attempt to impress the younger man she was dating. Many of these pieces focus on the rise and fall of Carrie's relationship with "Mr. Big,'' who is a better date than most of the model-obsessed men she meets, but who is a "toxic bachelor'' (unappreciative, self-centered, allergic to commitment) all the same. Bushnell's point, at its simplest level, is that what the glamorous women she writes about really want is a husband. But her writing is more sensitive than that, subtly catching the ways in which, beneath the veneer of Manolo Blahnik shoes and the eternal round of parties and the late nights at trendy bars, New York is a cruel place for smart, older women. Whatever lip service their male peers pay to equality, what men want is perpetual youth.

Often funny and occasionally bleak, this is a captivating look at the "Age of Un-Innocence,'' in a city in which the glittering diversions don't quite make up for the fact that "Cupid has flown the coop.''

Pub Date: Aug. 1, 1996

ISBN: 0-87113-642-2

Page Count: 208

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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