by Candace Fleming and illustrated by Nancy Carpenter ‧ RELEASE DATE: Oct. 13, 2009
Armed with gumption and grit, a young history maven takes on her town to prevent the historical society’s demolition. Imogene’s first words were: “Four score and seven years ago.” During her kindergarten show-and-tell, she gave lectures on women in history. After refurbishing the forgotten Liddleville Historical Society, Imogene discovers the Society is slated for destruction to make way for a shoelace factory. Announcing boldly “I have not yet begun to fight,” Imogene mounts an epic campaign to save the Society. She spouts quotes from historical figures, argues with the mayor, alerts the town in her Paul Revere costume, posts signs and drops flyers. But no one cares and the bulldozers approach—until she uncovers a letter from George Washington that changes everything. Fleming peppers the text with famous quotes that add a layer of historical depth to the story while Carpenter’s amusing, active and detailed pen-and-ink–and–digital-media illustrations follow determined, resolute, bespectacled Imogene through Liddleville as she campaigns to save her town’s heritage and makes a little history of her own. (historical notes) (Picture book. 4-8)
Pub Date: Oct. 13, 2009
ISBN: 978-0-375-83607-7
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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