A century in the keeping of one sedate owner after another leaves a small tortoise utterly unprepared for life with a reckless daredevil. In a captivating memoir, Sunny Boy fondly recalls quiet years with a gardener, a stamp collector and a Latin scholar—followed by a decidedly upsetting stint with Biff, an enthusiast who embarks on a string of failed stunts, then resolves to take a trip over Niagara Falls in a barrel with, unfortunately, his trusty tortoise by his side. Telling the tale in an evocatively deliberate voice—“My world tipped. Now, instead of basking in the bright sunlight, I bounced and jostled about in Biff’s dank sidecar”—that brings out his character with the same clarity that the small, anxious-looking figure, cast into various perilous situations in Wilsdorf’s exuberantly drawn cartoons, does, Sunny Boy makes an engaging narrator indeed—particularly after the Niagara triumph actually leaves him with a taste for adventure, so long as it’s only occasional. Loosely based on a true episode that didn’t have such a happy ending (only the tortoise survived), this will delight both active and armchair daredevils. (afterword) (Picture book. 7-9)
Pub Date: Aug. 12, 2005
ISBN: 0-374-37297-7
Page Count: 40
Publisher: Melanie Kroupa/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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