by Candice F. Ransom ‧ RELEASE DATE: Oct. 30, 1991
An experienced author of paperback fiction for older girls tries her hand at a realistic story for younger children, setting it in the 50's of her own childhood. Wendy Fletcher's pleasures and tribulations are similar to the ones in Cleary's books: though drawing is her forte, she's hesitant about tackling cursive; with Dad in a new job (it includes driving a truck in the neighborhood), her family is having ``a tight year,'' and Wendy's trying not to wear out her shoes. More novel to today's children, the Cold War has resulted in frequent air-raid drills at school; when the frightened Wendy asks why we should quarrel with the Russians, she's told only that they are ``different.'' In the end, she realizes that differences can be good—the imaginative ``Birdland'' that is her favorite subject in her own art is interesting because she draws each bird differently, all living happily together. This doesn't have the humor or the insights of Hurwitz or Janice Smith, and the period details don't quite add up to a late-50's flavor. Still, family and classroom interplay rings true, while the rather obvious moral has merit. For this level, illustrations would have been a plus. An acceptable additional choice. (Fiction. 7-10)
Pub Date: Oct. 30, 1991
ISBN: 0-02-775665-3
Page Count: 128
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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