A haunting novel, original and deeply sad.
Three scrappy outsiders—inextricably bonded less by circumstance than by love—struggle to survive in the sweat-drenched underbelly of Athens’ red light district in the late 1980s.
“We were looking for nothing and had found it in Athens,” explains Bridey Sullivan in the opening pages of Hoffman’s (Be Safe I Love You, 2014, etc.) third novel. She is 17, smart and wild and self-contained, feral, a survivor. She has come to Athens to escape the bizarre trauma of her childhood, raised by a kindly doomsday-planning uncle, a smoke jumper, in the far reaches of Washington state. When she meets Jasper, a British expat, an Eton dropout, on a train, she is immediately taken in by his beauty; his is “the kind of elegant placid face you saw in old portraits.” Jasper’s boyfriend is Milo, another Brit, a teenage boxer from Manchester. They scrape by as runners—hustlers who trawl trains for tourists to entice back to dumpy hotels in exchange for their own rooms and board; in love with each other, they form a kind of family, drunken and desperate but free, tied to nothing, loyal only to their own. But their grimy, sweaty sort of equilibrium cannot last, of course, and when one of their money-making schemes links them to a deadly act of terrorism, the trio is forced apart. The novel, sticky with the stultifying heat of Athens, oozes backward and forward in time and place: gritty 1980s Athens, Bridey’s troubled childhood in Washington, and contemporary New York City, where Milo, now a successful poet, is in residence at the New School, drowning his sorrows in a never-ending stream of Four Loko. Crisp and immediate, the New York segments are a welcome contrast to the action in Greece, which is so beautiful and atmospheric that it sometimes feels as though it’s happening behind a screen.
A haunting novel, original and deeply sad.Pub Date: Feb. 21, 2017
ISBN: 978-1-4767-5757-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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