Both text and art evoke the best of Charles M. Schulz’s “Peanuts,” with a 21st-century, environmentalist twist.
Lessons about friendship and inclusion complement lessons about insects and bugs when Maude tries to join Louise’s Bug-of-the-Month Club.
Maude is new to country life, and she is fascinated and delighted to see her first lightning bugs. “They sparkle like little firecrackers,” she says, “but without all the noise.” Maude is undaunted when she learns that the first step to auditioning for neighbor Louise’s club is to prepare a speech about a bug. She happily researches fireflies at the library and presents a well-researched speech to Louise and the other club members. From the start, only Louise acts cool toward Maude. That coolness evolves into hostility when Louise insists that the other members list all the reasons that fireflies are not technically bugs…and then summarily releases Maude’s 11 coddled fireflies. Sweet-natured Maude channels her anger at Louise into an inspired campaign to protect fireflies, and by the end of the story, even Louise has become an ardent champion of the cause. This is more an illustrated story than a picture book, with a text chock full of fascinating facts about fireflies and how to help them. The cartoonlike children exhibit various skin tones, hair types, and eye shapes, and they are set against uncluttered, pleasant outdoor backgrounds; Maude has beige skin and extremely curly brown hair while Louise’s skin is pale and her blonde hair is straight.
Both text and art evoke the best of Charles M. Schulz’s “Peanuts,” with a 21st-century, environmentalist twist. (Picture book. 5-9)Pub Date: June 25, 2019
ISBN: 978-0-374-38062-5
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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