A charming setting and appealing premise are let down by uneven execution.
For generations, the heirs of the Feast and Famine families have dueled for control over the land of Fauret and the coveted guardianship of the demon Centurion.
Twelve-year-old Rue Famine is expected to succeed where her mother failed, but insufficient training has left her fumbling to master the simplest charms. Her curiosity about the Feasts’ legendary sweets leads Rue to a chance sighting of Merriment Feast, the sparkling embodiment of her family’s decadent reign. Merri has been training with her guardian, Aunt Ambrosia, in hopes of continuing the Feasts’ dominance, but her interest in learning the Famines’ potion work proves a catalyst for the heirs’ parallel paths to cross. As hidden histories and family secrets come to light, it becomes clear that the long-divided houses must reunite. Debut author Finn’s series opener is dense, and the alternating third-person narration struggles due to Rue’s and Merri’s voices being insufficiently distinct. Social class disparities are a central theme in this magical world, which evokes Studio Ghibli films, complete with quaint shops, talking cats, and a collection of entertainingly cagey and mercurial demons. At first, the lore required for effective worldbuilding is limited, while later in the book, a reveal is repeated without sufficient backstory. While the leads are well developed, the late introduction of explanatory information about supporting characters could pose a challenge to young readers’ comprehension. Most characters present white.
A charming setting and appealing premise are let down by uneven execution. (recipe) (Fantasy. 10-13)Pub Date: Jan. 28, 2025
ISBN: 9781728298337
Page Count: 288
Publisher: Sourcebooks Young Readers
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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