THE LAST GREAT HEIR

For generations, the heirs of the Feast and Famine families have dueled for control over the land of Fauret and the coveted guardianship of the demon Centurion.

Twelve-year-old Rue Famine is expected to succeed where her mother failed, but insufficient training has left her fumbling to master the simplest charms. Her curiosity about the Feasts’ legendary sweets leads Rue to a chance sighting of Merriment Feast, the sparkling embodiment of her family’s decadent reign. Merri has been training with her guardian, Aunt Ambrosia, in hopes of continuing the Feasts’ dominance, but her interest in learning the Famines’ potion work proves a catalyst for the heirs’ parallel paths to cross. As hidden histories and family secrets come to light, it becomes clear that the long-divided houses must reunite. Debut author Finn’s series opener is dense, and the alternating third-person narration struggles due to Rue’s and Merri’s voices being insufficiently distinct. Social class disparities are a central theme in this magical world, which evokes Studio Ghibli films, complete with quaint shops, talking cats, and a collection of entertainingly cagey and mercurial demons. At first, the lore required for effective worldbuilding is limited, while later in the book, a reveal is repeated without sufficient backstory. While the leads are well developed, the late introduction of explanatory information about supporting characters could pose a challenge to young readers’ comprehension. Most characters present white.

A charming setting and appealing premise are let down by uneven execution.