A thoughtful, well-illustrated work about pursuing goals.
A girl hopes to dazzle the crowd at a talent show in Ho and Byrd’s debut picture book.
Mara dresses more colorfully than other residents of conformist Sametown, who all wear bland polo shirts. She’s planning to perform a dance routine at an upcoming talent show where everyone else is doing magic tricks. However, her teacher discourages her. Mara’s mother, however, knows exactly what to say to give her child courage. Right before her performance, it’s revealed that Mara uses a wheelchair; the stage isn’t accessible, and she must emotionally ground herself before asking for assistance. The book takes care to show that Mara’s difference from others in Sametown isn’t only her wheelchair use, but also her creativity and inventiveness. Co-author and dancer Ho discusses her own wheelchair use in an author’s note, which brings authenticity to the story. Rodriguez’s pleasing full-color illustrations are refreshingly diverse, featuring characters with varying skin tones; Mara and her mother are portrayed as Asian. The story flows nicely, but the talent show stakes are a bit unclear; although the audience and emcee are seemingly blown away, Mara doesn’t even place. Discussion questions will spark conversations about uniqueness and unpack biases about people who use wheelchairs.
A thoughtful, well-illustrated work about pursuing goals.Pub Date: N/A
ISBN: 978-0-9997050-7-0
Page Count: 40
Publisher: N/A
Review Posted Online: Jan. 6, 2023
Review Program: Kirkus Indie
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
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