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I WAS BORN THIS WAY

A GAY PREACHER’S JOURNEY THROUGH GOSPEL MUSIC, DISCO STARDOM, AND A MINISTRY IN CHRIST

A worthy memoir for a truly unique individual.

With the assistance of Ritz (co-author: Brother West: Living and Loving Out Loud, A Memoir, 2009, etc.), Bean chronicles the story of his life as a minister and as the singer of the 1977 gay-liberation–themed disco hit, “I Was Born This Way.”

Born to a teenaged mother in 1950s Baltimore, the author was raised by neighbors and suffered an extremely difficult childhood. He was sexually abused at a very young age, by his foster uncle and by other men, and his birth mother died of complications from a botched abortion when he was a teenager. He also struggled with his homosexuality in a religious African-American community. After a suicide attempt at age 14, he came to accept and embrace his sexual orientation. He was also a devout Christian who went on to make a living singing in gospel groups, including the famed Alex Bradford Singers. In 1977, Motown Records asked him to sing the vocals for a disco song entitled “I Was Born This Way, which featured a memorable lyrical hook with a startlingly up-front gay perspective—“I’m happy / I’m carefree / And I’m gay / I was born this way.” It became hugely popular in dance clubs, but when Motown offered him a chance to follow up with an album of heterosexual love songs, he declined, not wanting to portray himself as someone he wasn’t. In 1982, Bean was ordained as a minister and opened his own church, the Unity Fellowship Church of Christ, which was accepting of all sexual orientations. (“God doesn’t care if you’re straight, gay, bi, or transgendered. God contains everything,” he preached.) He also established the Minority AIDS Project to help underserved AIDS patients in Los Angeles. Bean has certainly led a one-of-a-kind life, and his fast-moving, engaging memoir illuminates the 1960s and ’70s gospel world and provides the rare perspective of a homosexual minister. The early chapters, which detail terrible sexual abuse, can be harrowing at times, but the message is insightful and often powerful.

A worthy memoir for a truly unique individual.

Pub Date: June 1, 2010

ISBN: 978-1-4165-9282-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Jan. 3, 2011

Kirkus Reviews Issue: March 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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