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ASSUME THE WORST

THE GRADUATION SPEECH YOU'LL NEVER HEAR

Slim but pointed and humorous; a good gift for the neighbor’s kid’s graduation.

Two of the literary world’s most entertaining lighthearted cynics collaborate on a brief text that takes the form of a fake graduation speech.

“It’s pretty fucked up,” writes Hiaasen (Razor Girl, 2016, etc.) early on in the speech, referring to the “real world” that his imaginary graduates are preparing to enter. Accompanied by apt illustrations from New Yorker illustrator Chast (Going into Town: A Love Letter to New York, 2017, etc.), winner of the Kirkus Prize and the National Book Award, this speech runs through a litany of life’s challenges and obstacles and how to overcome them (“lowering your expectations will inoculate you against serial disappointment”) followed by a shorter closing section in which Hiaasen turns more hopeful. After all, he does want his readers to experience happiness, but happiness is “slippery. It’s unpredictable. It’s a different sensation for everyone.” A good portion of the text discusses our highly divisive society and the prevalence of stupidity—or, more accurately, willful ignorance. Hiaasen is quick to point out that society as a whole may not be dumber than when he graduated college in 1974, but the social and cultural landscape is vastly different. “Society has been deeply divided before,” he writes, “but never has it been so inanely distracted. Don’t be shocked if more Americans can identify all the Kardashian sisters than can find Serbia on a world map.” Global geography aside, there’s no question that technology has shifted our gaze and often warped our perceptions of each other, and the text and illustrations here serve as a quick, amusing snapshot of that situation. Thankfully, underneath all the despair and snark—social media is “a geyser of ominous evidence that our species has begun to de-evolve, receding back to the slime bog from which we first emerged”—are glimmers of optimism, as in most of the work from both Hiaasen and Chast. “One thing happiness is not,” writes Hiaasen, “is overrated.”

Slim but pointed and humorous; a good gift for the neighbor’s kid’s graduation.

Pub Date: April 10, 2018

ISBN: 978-0-525-65501-5

Page Count: 64

Publisher: Knopf

Review Posted Online: March 11, 2018

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THE MYTH OF SISYPHUS

AND OTHER ESSAYS

This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.

Pub Date: Sept. 26, 1955

ISBN: 0679733736

Page Count: 228

Publisher: Knopf

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Sept. 1, 1955

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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