by Carl Hiaasen & edited by Diane Stevenson ‧ RELEASE DATE: Nov. 1, 1999
A public service to his many fans, this compendium of Miami Herald columns by best-selling novelist Carl Hiaasen (Lucky You, 1997, etc.) reveals an angry, alert civic muckraker in the pugilistic vein of Mencken or Royko. Though best known for his ribald crime fiction, with its meticulous universe of South Florida idiocy and venal conspiracy, Hiaasen cut his teeth as an investigative reporter, and this spirit is strong in both his chosen subjects and his wry attention to unforgiving evidentiary detail. As editor Stevenson notes, the collection’s thrust, which she constructed by sifting through Hiaasen’s 1300-plus columns, was to present his advocacy of —realistic growth and decent government in Florida.— Along the way Hiaasen stops to gut innumerable big fish—crooked politicians, rogue cops, insensate tourists, swollen developers—within a rough chronology reaching back to the cocaine-crazed Reagan ’80s. Although Hiaasen is a truly funny writer, a stern moral compass lies beneath his slapstick. His quixotic outrage regarding the despoliation of his home state (cf. the columnist/terrorist of his Tourist Season, 1986) is as unforgiving as an Uzi, as authentic as a Waffle House breakfast. Hiaasen’s zestful attacks on Miami’s many embarrassing or indicted leaders end up addressing the threats posed, for instance, by the crash overpopulation of Florida, epitomized by the havoc wreaked by Hurricane Andrew upon shoddy developments, a dire issue that pro-business boosters (e.g., The Mouse) labor to minimize. But even the loopier pieces (tame dachshund-eating alligators, Geraldo Rivera’s faked drug raids) are informed by Hiaasen’s unforgiving focus upon the social rot beneath the zany facade. Such columns, like his fiction, reveal Hiaasen as a crystalline, pitiless seer of human weakness in much the same vein as his Floridian forbears, Charles Willeford and Harry Crews. Deeply satisfying, both for what it reveals of the serious priorities of a supposedly light novelist and for the outrageous epic of Florida profiteering and entropy within.
Pub Date: Nov. 1, 1999
ISBN: 0-8130-1717-3
Page Count: 448
Publisher: Univ. Press of Florida
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
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by Carl Hiaasen
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by Carl Hiaasen
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by Carl Hiaasen
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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