Will another unspoiled Florida island be turned into a paradise for golfers and crooked developers and politicians? Hiassen tells all in this hilariously barbed but rambling exposÇ. The richness of the satire is indicated by the fetishes given nearly every participant to the controversy over Shearwater (Toad) Island. Lobbyist Palmer Stoat lives to make deals, smoke cigars, and hunt the senile denizens of the local Wilderness Veldt Plantation. The pliant target of his latest campaign, Gov. Dick Artemus, still approaches every human relationship as another exercise in selling Toyotas. Hopeful Shearwater developer Robert Clapley, who never got over his adolescent attachment to Barbie dolls, is surgically enhancing a pair of willing young women to resemble twin Barbies. Clapley’s soft-spoken enforcer, Mr. Gash, collects recordings of 911 emergency calls. Twilly Spree, the angry young man who gives the novel its title, is a self-appointed nemesis to litterbugs like Palmer Stoat. It’s only Palmer’s long-suffering wife Desirata who escapes getting labeled by her hangup, and that’s because, like Palmer’s black Lab Boodle, whom Twilly kidnaps and renames McGuinn, she functions as a hangup herself for so many others. But though the inventive connections between fetishism and capitalism, lobbying and extortion, anger management and tyranny show Hiaasen the satirist—last glimpsed in the columns collected in Kick Ass (p. 1546)—at the top of his game, Hiaasen the novelist relies on too many coincidences, too shaggy a plot, and too many curtain calls for crazy sage Clinton Tyree (Stormy Weather, 1995, etc.), the one-eyed ex-governor/wild man who personifies everything the author only wishes were true of Florida politics. Not top-drawer Hiaasen, then, but its selling points do include much sex, none of it in the missionary position, and a detailed concluding account of the characters— later lives, in the manner of Dickens on ‘ludes.
Pub Date: Jan. 11, 2000
ISBN: 0-679-45445-4
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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