Clueless celebrities and criminal paparazzi provide the perfect match and the perfect metaphor for contemporary public...
Now that the Florida real-estate market has gone bust, the insatiable bottom-feeders circle a hilariously untalented starlet, everyone looking for a piece of her before she too crashes and burns.
Cherry Pye—or “the former Cheryl Bunterman,” as Hiaasen calls her—has been in the public eye for half of her 22 years. All that media exposure has taught her some valuable lessons. She knows that she has a natural right to have everyone else dance attendance on her; she knows how to score every drug on the planet and how to mix them with piquant results; and she’s even learning how to lip-synch the lyrics a less scarifying vocal artist has supplied for her second comeback album, Skantily Klad. Cherry’s circle of hangers-on can’t match her impervious innocence. Her botoxed twin publicists, Lucy and Lila Lark, are constantly cooking up new schemes without revealing them to her. Unbeknownst to her, her parents have long engaged savvy actress Ann DeLuisa to act as her “undercover stunt double,” circulating among her wide-eyed public when she’s indisposed, and decoying paparazzi like Bang Abbott, whose Pulitzer Prize is just a tad tarnished. Her pederast promoter Maury Lykes has hired her a new bodyguard, Chemo, whose ideas about cutting himself in for a bigger slice of the action are as inventive as his anatomy (his severed hand has been replaced by a prosthetic weedwhacker). When Bang, whose improbable mile-high hookup with Cherry has given him stratospheric dreams of his own, carjacks Ann out from under Chemo’s nose under the impression that she’s Cherry, and Ann begs Skink, the homeless ex–Florida governor who’s sweet on her, to come to her rescue, the plot may seem to be boiling over. In the hands of a master farceur like Hiaasen (Nature Girl, 2006, etc.), however, the major hijinks are just beginning.
Clueless celebrities and criminal paparazzi provide the perfect match and the perfect metaphor for contemporary public culture. And you never know which sentences are going to end with a back flip.Pub Date: Aug. 1, 2010
ISBN: 978-0-307-27258-4
Page Count: 352
Publisher: Knopf
Review Posted Online: June 14, 2010
Kirkus Reviews Issue: July 1, 2010
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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