by Carl Mitchell ‧ RELEASE DATE: N/A
A beefy police procedural with well-developed sci-fi and espionage touches.
The assassination of the vice president of the United States leads a New York City police detective to uncover a political conspiracy and a struggle for world domination in Mitchell’s debut dystopian tale, set in the near future.
In 2057, Detective Nick Garvey’s latest case is hush-hush: the unpublicized murder of Vice President Jerome Wellsley and four Secret Service agents in New York. But the top priority for Nick and his partner, Tim Branson, is to protect President Lenora Allison. Nick has a good idea of who would want to have her dead: Jason Beck, the supreme director of the World Council, which, after acquiring the majority of the world’s oil, rules over multiple countries. President Allison, it turns out, is a potential threat to the Council’s control; she’s planning to activate a system, involving a 30-year-old Japanese satellite, that will convert the sun’s energy into electricity for the whole of Manhattan. Nick’s ex-partner, Gerry Martin, who’s now a World Council employee, is a source of inside information. Unfortunately, Beck soon becomes aware of what Gerry and Nick are doing. The detective already has his hands full with his estranged daughter, Sandra, who blames him for her mother’s death and wants to keep him from his 7-year-old granddaughter, Nicole; she’s also latched onto an abusive man named Delmar Pillsbury. As Nick unravels the conspiracy, it will likely put Nick—or someone close to him—in serious jeopardy. Although the novel’s dystopian setting is well-described, it’s first and foremost a detective story. As the gleefully convoluted plot unfolds, Nick slowly uncovers a mystery that involves even more murder; he also detects signs of probable sabotage of the electrical grid, and he eventually exposes a tangled scheme involving, among other things, a curious metal box and a man thought to have died years ago. But Mitchell’s vision of the future in this work seems more alarmingly realistic than those in other sci-fi tales, with law enforcement being an especially striking facet of it. Official city policemen (or “pro cops”) like Nick are a dying breed; the Council’s Pop (short for “Population”) Police are so feared by communities that they’ve taken to safeguarding themselves with their own “paracops.” Mitchell’s environment of World Council domination and surveillance often feels claustrophobic, and it’s literally so when he has Nick traverse dark, underground tunnels with someone in pursuit: “Nick counted twenty faint heartbeats and decided he could wait no longer. Ten steps. Twenty. Twenty-five. No further sounds.” The characters aren’t easily defined, even by their actions; some that initially appear to be Nick’s allies eventually turn out to be something else entirely. There’s surprisingly little violence, although the novel is not without its grimmer moments; dog lovers, in particular, should proceed with caution. But Mitchell contrasts these with bits of tenderness (as when a number on a truck sparks a memory of little Nicole) and humor (as when Tim’s electronic video tablet is deemed “ancient”).
A beefy police procedural with well-developed sci-fi and espionage touches.Pub Date: N/A
ISBN: N/A
Page Count: 418
Publisher: Covenant Books
Review Posted Online: Sept. 17, 2017
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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