A tremendously welcoming survey of modern movie classics.
A master gives a guided tour of Hollywood films in the second half of the 20th century.
Legendary actor and director Reiner (Alive at Ninety-Five, 2017, etc.) begins the second of his captivating two-volume pictorial memoir in 1950, when he joined Sid Caesar and Imogene Coca on the TV series Your Show of Shows. The author continues through the highlights of modern Hollywood history, closing out in the 2010s with films like The Wolf of Wall Street, The King’s Speech, and Ocean’s Eight, in which Reiner reprises the cameo role of Saul Bloom he originated in the 2001 George Clooney remake of Ocean’s Eleven. As in the previous volume, the author here reverses the usual pattern of memoirs, presenting page after page of set photographs and striking movie posters and adding only minimal text comments, a feat of restraint that becomes all the more remarkable when his tour reaches classic films he directed, like That Old Feeling, The Jerk, and Oh, God! As he approaches the rawer and raunchier topicality of modern movies (including Blazing Saddles, the hilarious 1974 comedy directed by his frequent collaborator Mel Brooks), he refers to his own favorite contention: “Any sexy, dirty, racist or offensive joke is totally acceptable as long as it’s funnier than it is dirty, sexy, racist or offensive.” And he allows himself the occasional nod to industry scandal, as in the case of Sunset Boulevard: “On screen, Gloria Swanson played a vixen and off screen, she was a bit of a vixen, having an ongoing affair with the scion of one of America’s wealthiest and most prestigious families.” Throughout the book, there’s a tone of enthusiastic invitation, an undimmed sense of exploration (“If you haven’t seen the documentaries on the careers of Rita Moreno and Chita Rivera, get copies of them, invite some friends over and you’ll thank me”). The cumulative effect should convince readers that they are in the presence of one of the world’s oldest—and most passionate—film geeks.
A tremendously welcoming survey of modern movie classics.Pub Date: Dec. 31, 2017
ISBN: 978-0-9995182-1-2
Page Count: 421
Publisher: Random Content Publishing
Review Posted Online: Jan. 28, 2019
Kirkus Reviews Issue: March 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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