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HANDS AND STRAIGHT LINES

Compelling prose hampered by a lack of momentum and dynamism.

Bradsher-Fredrick’s debut novel explores a man’s life through the prism of minute details.

Notoriously difficult to render, hands and straight lines are considered by Edward Rawlinson to be the trickiest subjects and most important metric for being an artist: “Hands and straight lines engaged me. I applied myself consciously to those two subjects to such an extent that, although I dimly mistrusted dichotomies, I divided the world into ‘hands’ and ‘straight lines.’ ‘Hands' and ‘straight lines’ became huge, ill-defined, virtually limitless categories into which I divided much of my experience.” In this novel, which reads more like a memoir, the author crafts short chapters about Edward, a young, gay, aspiring painter, charting the significant moments of his personal and artistic journey. Edward recounts his whimsical obsession with watercolors; his graduation to more pigmented, expensive paints; touring the art and points of interest of Turkey and Mexico with his brother, Burke; his bond with his great-aunt, Estelle, and her ornate home of treasures; playing jacks with a local girl, Christine; his fear of horses; his not-so-secret love of a college professor (“I felt that I could not endure the details about Professor Baussan that bit into me while normal things happened”); and many other elements that add up to define a life and an artistic sensibility. In addition to Edward’s painting practice, the book charts many of the supporting characters’ passions, including equestrianism, crochet, and drawing. As he comes to terms with his sexuality and the depths of his desires, Edward must decide which among his relationships with friends and family are worth saving and which he must forgo for the sake of living the life he wants.

Bradsher-Fredrick has created a novel the way artists create collages, mosaics, and still lifes, combining small, mercurial moments to create an overall impression and arc. Edward’s narration is full of ruminating, tangible details that poignantly allude to his artistic eye: “The violet shapes, crocheted discs and parts of discs, coarsely—painfully—imitated grape clusters…I’d painted, that morning, as if no fence existed, as if no fence existed beyond the bushy fountains, as if no knives existed under cut flowers.” Unfortunately, his delivery is occasionally marred by strangely clunky lines (“Friendly, Christine treated me as a friend”; “I felt his weight: thrillingly bodily”). Despite the prose’s compelling imagery, the author’s nonlinear and anecdotal treatment of Edward’s life quickly becomes convoluted and confusing, disrupting momentum to move around in time and poring over the same moments of Edward’s life across multiple chapters; the lack of discrete scenes and action make it hard to understand any characters other than Edward, who readers are never really given a full description of. No consistent plot emerges until Edward goes away to college and meets “the fiery lining” of his life, his professor, Lawrence Baussan, who is 20 years his senior. Even their tender relationship comes to feel redundant; the book never answers the question of what Edward’s story means.

Compelling prose hampered by a lack of momentum and dynamism.

Pub Date: Dec. 15, 2023

ISBN: 9798988690344

Page Count: 366

Publisher: Tailwinds Press Enterprises LLC

Review Posted Online: Oct. 26, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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