THE GERMAN ROOM

A woman moves to Germany in search of a new beginning—but can she truly escape her past?

Abandoning her ex-boyfriend and her unfulfilling job in Buenos Aires, the unnamed Argentinian narrator of Maliandi’s novel returns to Heidelberg, where she and her family lived for the first five years of her life. There, she hopes to find “some place that [is] mine, a place of my own, far away from everything.” Instead, the narrator, who seems to be “directionless” and “drifting,” is met with a series of unexpected and challenging events: She discovers that she’s pregnant, and she doesn’t know whether the father of her child is her ex-boyfriend or a one-night-stand; she befriends a Japanese student, Shanice, who dies by suicide, and then befriends Shanice’s unsettled, grieving mother; she reunites with Mario, a family friend from her earlier Heidelberg days, only to begin a romance with Joseph, whom she presumes is or once was his lover. Each encounter with these complex worlds undoes Maliandi’s protagonist a little further—can she survive as an expectant mother in a foreign country? Through the protagonist’s relationship with Shanice’s mother, Mrs. Takahashi, Maliandi examines matrilineal cycles and questions of generational inheritance: Her protagonist is expecting a daughter in the same city where she was once a child, while Mrs. Takahashi must bury her daughter in a country thousands of miles from home. The line between mother and daughter begins to blur: “I have fitful dreams of a little girl playing in a clearing in the woods. It could be me or it could be another little girl, it could be my daughter.”

A deeply moving exploration of doing and undoing, birth and death—of what we inherit and what we choose to reject.