by Carlos Castañeda ‧ RELEASE DATE: Jan. 1, 1999
Dense, narcissistic musings on death and the shaman’s life. Onetime anthropologist Castaneda has built a three-decade career out of relaying the teachings of his Yaqui Indian mentor, Juan Matus, in works ranging from The Teachings of Don Juan (1968) to 1993’s The Art of Dreaming. Apparently, Castaneda feels that he has yet more wisdom to impart. Still, this vague assortment of personal vignettes offers little in the way of spiritual guidance. Paradoxically, although Don Juan often tells Castaneda that a sorcerer must be emptied of self to accept infinity (annoyingly, this latter word is always italicized in the text), the book seems self-absorbed from the start. In preparation for accepting infinity, true, Castaneda must revisit some of the most pivotal events in his life. A few of the stories are hopelessly sad (and one relentlessly misogynist). One of the most touching occurs when Don Juan urges Castaneda to track down the two women who helped him when he was a very young man. Castaneda is instructed to reward them—while rendering himself penniless—with an extravagant gift. And one of the women, now a homemaker with three kids, is indeed overjoyed to receive a top-of-the-line station wagon. Yet it’s hard to find a larger meaning in the stories. We wind up learning something more of Castaneda but not much at all about the active side of infinity, which is mystically translated as “intent.” It appears that we ought to live with intent, never forgetting that we will die, regardless. Death (and the knowledge of it) should thus inform all of our actions and relationships, providing a perspective and enforcing our humility. This is hardly an original idea, and it can—t justify wading through Castaneda’s welter of self-indulgence, which might translate better to a bumper-sticker adage.
Pub Date: Jan. 1, 1999
ISBN: 0-06-019220-8
Page Count: 288
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
BOOK REVIEW
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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