by Carlos Fuentes ‧ RELEASE DATE: April 14, 1992
A companion volume to an upcoming Discovery/BBC TV series, this passionate meditation on Hispanic cultural identity from Fuentes (Constancia, 1990, etc.) unfolds with all the color, urgency, and perhaps inevitable superficiality of a popular documentary. Taking as his canvas no less than the entirety of Spanish and Spanish-American history, from the cave drawings at Altamira to the tortured political landscape of present-day Latin America, Fuentes builds his plea for Hispanic cultural continuity around a cluster of vigorously poetic images, largely concerned with the matter of "inclusion." In the pre-Columbian age, for instance, Spain, Fuentes says, then quite literally "the End of the World" and marked by the successive influences of Iberian, Celtic, Roman, Visigothic, and Moorish traditions, found its unique identity through an often reluctant embrace of "the Other." Transplanted to America, this rich blend expanded to encompass varied African and indigenous Indian accents. And yet today, fragmented and unstable, Latin America still lacks a "necessary vision of cultural, economic, and political convergences." Although deeply personal and frequently stirring as polemic, the book offers no more than an outline as history, punctuated by proud intellectual trivia (Spain established Europe's earliest parliaments; Santo Domingo was home to the first university in the New World) and nicely formed, highly subjective musings on art and literature. More troubling is Fuentes's continual reliance on glib generalization and stereotype (e.g., that Mexican revolutionary leader Benito Juarez "was the very embodiment of Indian fatality, Roman legality, and Spanish stoicism"). Odd, too, is the simultaneously forward-looking and conservative exhortation—that Latin Americans must "create [their] own models," yet that they must search for these within an "authentically Iberian" tradition—which seems as much a reflection of the central dilemma as a solution. Strictly an introduction to a complex subject, but, in its yearning and contradictions, an unusually revealing one.
Pub Date: April 14, 1992
ISBN: 0395924995
Page Count: 253
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1992
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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