by Carlos Hernandez ‧ RELEASE DATE: March 4, 2019
This book, drenched in Cuban Spanish and personality, is a breath of fresh air.
Salvador Vidón is the new kid at Miami’s magnet school Culeco Academy of the Arts, but being at a special school doesn’t protect Sal from trouble.
Bullies are everywhere, but seventh-grader Sal knows just how to handle a difficult kid like Yasmany Robles. Obviously, you deal with a bully by opening a portal into another universe, taking a raw chicken from it, and planting it in the bully’s locker. But you cannot just go opening portals into other universes without some consequences. For one, Sal gets sent to the principal on only his third day at Culeco and in the process meets Gabi Reál, who isn’t buying Sal’s innocent-magician act. The more pressing issue is that when Sal opens portals, sometimes his deceased mother comes through from alternate universes where she still exists—Mami Muerta, in Sal’s words. But if you could bring your dead mother back, wouldn’t you? The story moves quickly, with lots of multiverse traffic, school hijinks, and strong, smart, diverse characters. Most are Cuban-American in various shades of brown, like Sal, Gabi, and Yasmany, and Hernandez effortlessly folds in multiple intersectionalities, including Sal’s diabetes and Gabi’s unusual, delightfully matter-of-fact family structure. Secondary characters receive as much care and love as the primary cast, and readers will find themselves laughing out loud and rooting for Sal, Gabi, and even Yasmany until the very end.
This book, drenched in Cuban Spanish and personality, is a breath of fresh air. (Science fiction. 10-13)Pub Date: March 4, 2019
ISBN: 978-1-368-02282-8
Page Count: 400
Publisher: Rick Riordan Presents/Disney
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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PROFILES
PERSPECTIVES
BOOK TO SCREEN
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by Julia Iredale
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BOOK TO SCREEN
by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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