A vibrant, bighearted account of a child’s first forays into independence.
A young boy learns the value of a quarter in Matias and Zhang’s beguiling picture book.
It’s Monday and the first day of school. Ready to become a “niño grande,” Ernesto prepares for the walk to school—this time without his parents to accompany him! With his lucky sneakers and favorite Mets cap on, he goes to the door, “feelin’ freshhhh!” But wait! His mom cuts him off, handing him a shiny new quarter for a pay phone in case of an emergency. A kiss goodbye, and Ernesto heads out with his friends. The group stops at Señor José’s bodega, where baseball cards tempt Ernesto. But he refuses to use his quarter. For the entire school week, Ernesto receives an emergency quarter from his mamá each morning and each day refuses sweet temptations such as jugos de frutas and tamales with steadfast determination. “These quarters are for emergencies.” Fittingly, the story ends on an unexpected and delightful note. In his picture-book debut, Matias serves up a playful slice-of-life tale that bubbles with heart and gentle humor. A palpable portrait of community emerges through each named character and local tiendita introduced, guiding readers through Ernesto’s neighborhood. Likewise, Zhang’s gouache, watercolor, and ink artwork is richly dense, with lush colors, angled and wide perspectives, and expressionistic details that conjure a bustling city. Ernesto and his family are Dominican, while the surrounding community demonstrates racial diversity.
A vibrant, bighearted account of a child’s first forays into independence. (author’s note) (Picture book. 4-8)Pub Date: May 28, 2024
ISBN: 9780063271456
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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